Tag Archives: creativity

Kwanzaa, Day 6: Kuumba (Creativity)

Myth 150Habari gani, brothers and sisters?

Today is the last day of 2017, and to say it’s been an interesting year is a small understatement. But we’ve made it! We’re about to enter 2018, a year full of new possibilities and problems that will require us to be united, self-aware, diligent, cooperative, and purposeful to solve. The issues we face next year will be a lot of the same old stuff — but cloaked in different wrappers that might be hard to see through. I’m confident, though, that we’ll not only survive the next year, but thrive. We are strong, adaptable people. A big reason for this is my favorite principle of the Nguzo Saba — Kuumba, or Creativity.

Africa is a land rich in stories. From the folk tales handed down verbally through generations of families, to the poems, songs, novels and other stories presented through the kaleidoscope of the diaspora experience, we’ve contributed much to humanity’s creative expression. So many things that have become the bedrock of the American pop art culture find their roots within us, from jazz to dance to rock and roll to historical fiction to genre fiction to science. Our ingenuity and ability to thrive despite great difficulty and limitations is one of our best traits, and I’m excited to honor the work our ancestors put in to make creativity such a huge part of our cultural heritage.

As a writer, I come from a long line of African-Americans who have done amazing work providing a vital perspective on our cultural experience. James Baldwin seamlessly blended his thoughts on being a black man in America through both novels and essays, not only discussing issues of race, but of the complexities of being gay and bisexual; Langston Hughes was one of the foremost names in the Harlem Renaissance, along with Zora Neale Hurston, Countee Cullen and Wallace Thurman; Ralph Ellison spoke about how both external and internal cultural pressure can render a person invisible in Invisible Man; Octavia Butler and Samuel Delaney opened the doors of science fiction and fantasy, and Tananarive Due, N.K. Jemisin, Nalo Hopkinson, Nnedi Okorafor, Daniel Jose Older and Terrence Wiggins all keep up the work of carving out a space for black people there. Ta-Nehisi Coates, Ava DuVernay, Alice Walker, Toni Morrison, Christopher Priest, Dwayne McDuffie, Evan Narcisse, and so, SO MANY others have all contributed outstanding work to the creative American canon. The list really is too long to name properly.

And that’s just talking about writing. The Black American contribution to popular music is even longer, going back to the old spirituals of the slavery-era South and coming through today with the dominance of rap and hip-hop on the charts today. We’ve made great art, sculptures, jewelry, dances, claimed new media and technology as forms of self-expression with Vine, Instagram, Snapchat and other platforms; we’ve put creative energy into protest as well, thinking of new ways to engage with the problems plaguing the black community. Black Twitter, which is one of my absolute favorite things ever, is a giant messy digital town square where we boost calls for help or action; talk about music, movies, TV and books; highlight issues of representation in media and entertainment; and clap back on folks messing with us and ours in hilarious ways.

Our vast cultural heritage of creativity is one of our best features. We can capture the complicated, difficult feeling of our experience in powerfully moving works through whatever medium we choose. We inspire hope and change through song and story; we make sure our collective struggle is remembered through the essays and personal writing of those who’ve lived through it. In our hearts, there is wit and passion and the unwavering strength of our birthright. As long as we tap into that, there’s always a way out of the thicket.

We’ve taken such great strides with entertainment over the past couple of years, and 2018 is looking to be even more amazing. Moonlight, a film about an inner-city black man struggling with his sexual orientation, won the Best Picture Oscar this year with a black director, screenwriter, and actors — it was based on a semi-autobiographical story from a gay black man. On TV, black men won Best Leading Actor Emmys in the Drama, Comedy AND Limited Series/Movie categories while Blackish, Queen Sugar, and Empire made sure a wide variety of black characters were seen on screen. Black people killed it in comics this year while the industry at large took a number of questionable choices through their summer events — but it didn’t stop Ta-Nehisi Coates, David Walker, Christopher Priest, Roxane Gay, and others from turning in amazing work. In 2018, Black Panther is set to hit the big time in the MCU while Miles Morales is headlining his own animated movie.

I don’t think there’s ever been a better time for black creativity. The Internet has given us an amazing platform to connect and amplify each other’s work, and so many formerly isolated pockets are learning to come back into the community with unique experiences and perspectives. Personally, learning about Afrofuturism has been a revelation and my own personal vehicle for coming back to my roots. Telling solarpunk, urban fantasy, and anthro-animal stories is a powerful way for me to make sense of my history, identity, and feelings about where we are as a culture, as a country, as human beings. I’m looking forward to using my voice and refining my craft next year, fully living the principle of Kuumba.

There are few places where black excellence is more evident than in our creative endeavors. If possible, I invite you to think about all of your favorite stories, movies, TV, songs, art, poetry and non-fiction; think about the people of color who have had a hand in them. If you’re curious about what person-of-color-centered creative work to dive into, let me know a medium and/or genre, and give me a few examples of your own personal favorites. I’d be more than glad to recommend something to you.

Happy New Year, all of you. See you in 2018!


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Kwanzaa 2015: Kuumba (Creativity)

Myth 1502015 has been an amazing year for me in a lot of different ways, but one of my absolute favorites is learning about the wonderful people who are putting themselves out there with their stories. This year I got to meet Nora Jemisin (author of “The Hundred Thousand Kingdoms”) at Writers With Drinks in San Francisco; I saw “Danger Word”, a short film put together by Tananarive Due at WorldCon — and I got to speak with her for a long time about black horror, writing and storytelling; I learned about Afro-Futurism and its history from Ajani Brown at WorldCon as well; I was introduced to Mark Oshiro, Arthur Chu, Mary Anne Mohanraj, Troy Wiggins, K. Tempest Bradford, Daniel Jose Older, Ta-Nehisi Coates, G. Willow Wilson and so many others who are shaping the discourse of what it means to be a minority in the science-fiction and fantasy space. There is a community of people out there working hard to show the world the power of a distinctive voice. It really has been amazing to discover this; it’s instituted a shift in my thinking about what I can do with my own writing, what I should be doing.

The principle we focus on today, the sixth day of Kwanzaa, is Kuumba or Creativity. I took this to mean that today we celebrate the different perspectives we have in viewing the world and how that translates to our stories, which I can totally get behind. Telling stories to make sense of our environment is one of the oldest and best things we do as humans, and I don’t think that its given the proper appreciation.

However, in researching up a bit on the theme for today, Kuumba can also mean “continuous improvement”. It’s not enough to just “get by”, or to “do all right”. We must keep striving for the ideals we set for ourselves — there’s always a purer, uncomplicated expression of it that we can aim for. Kuumba is having the insight to see the many different facets of Nia; to see the shapes and sides it can inhabit. How can we stretch our purpose even further to be better people, to encourage our communities to be better?

Ryan and I watched the final few episodes of “How I Met Your Mother” yesterday, and there was an exchange that blew me away. One of the characters is having a crisis about what to do in life, and someone asks her what she wants her life to be about. She says, “I want to end poverty,” and her friend says “Well, every choice you make in life should be in service to that.” It’s such a simple idea, so powerful, but so incredibly difficult.

Applied to myself, I have to think about how every decision I make serves my purpose — to connect people to each other, to make them feel more comfortable with their world, to be OK with the fact that change is constant and they can weather it. How do my stories serve that purpose? How do my blog entries? How can I creatively refine my actions to make sure they achieve that?

My favorite protagonists in stories are the paladins — not the people who sit on a mountain and reflect upon some ideal without having to make the attempt to engage it in the real world, but the people who come down off that mountain, who struggle to be the living embodiment of those ideals, who have to find ways to uphold it in the complicated and messy struggle of life. I believe that being an idealist means becoming intimately connected with failure. We’re imperfect creatures moving through an imperfect world, giving ourselves over to a perfect idea that we’ll never attain. But the struggle to achieve it means that we accomplish amazing things in the meantime.

Creativity is about so much more than telling stories, but that’s one of my favorite expressions of it. It requires creativity to make it through life, simply to improve yourself when there are restrictions and road-blocks in front of you. Creativity is one of the best expressions of intelligence, making connections that aren’t readily apparent, improving our understanding of life by viewing it from a radically different perspective. Creativity is a requirement for empathy; you can’t put yourself in someone else’s shoes without it.

It allows us to take ancient lessons and apply them to modern, more complicated times. It allows us to replace the lessons that don’t work anymore because our understanding of the world has changed so much. It allows us to accept the tragedies in life with the hope that we can move past them and become better people. It makes us better thinkers, more compassionate people, more connected and sensitive to what’s around us.

Over the next year, I will try to strengthen my creativity — I will do my best to find creative ways to deal with the challenges in front of me, and to deal with people I might find challenging as well. I want to live and breathe the stories I create, and the stories I take in. I will use my creativity to sharpen my purpose, to make my actions precise and efficient, to trim the fat in my life. I will use my creativity to make myself lean, powerful and focused.

I would just like to thank all of you for reading these essays this week; your response has been amazing and much appreciated. I was very nervous about tackling this — Kwanzaa does not have the best reputation among the people who know about it at all, and while I really wanted to make this holiday my own I was also sensitive of the history it comes with and the possibility that I wouldn’t understand or explain the principles well at all. This has been a wonderful learning process, and I’m so glad we got to go through it together.

Have a joyous Kwanzaa today, folks, and a wonderful New Year. I’ll check in with all of you tomorrow — probably after I’ve recovered from my hangover!


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Further Confusion 2013

Fandom 150The break that I had threatened earlier was a little longer than anticipated — sorry about that. The past couple of weeks have been a bit of a whirlwind for a number of reasons, and I’m just now getting to catch up with everything. There’ll be more about that in future blogs, I promise, but for now let’s talk about the reason I was away for so long — Further Confusion 2013! (Warning: A lot of these links will lead to places that acknowledge sex and alternate sexualities.)

For those of you who have no idea what I’m talking about, Further Confusion is a fantasy convention centered around anthropomorphics (“furries“) and its various interests. You can find people there who are into cartoons, sci-fi/fantasy novels, spiritual studies (totemism, etc), music, zoology and all kinds of things. Furry is an umbrella group that can accept a multitude of roads into its borders, and that’s what makes it so cool.

I was there along with my husband Ryan; our primary interest/niche in the fandom is writing, and it’s a great time to be a furry writer. The community is growing and maturing in really neat ways, and we’re finding niches being filled in our little ‘ecosystem’. There’s something for everyone, and a lot of our writers are trying to find ways to make a living doing what they love by non-traditional means.

There were a number of authors there to read from their work. Mary Lowd had a whole panel to herself, to read from her work. Kyell Gold held a panel to read from his latest novel, Divisions. Sofawolf Press — one of the biggest publishers of furry literature — offered a sampling of readings from three works that will be coming out in the future. One of them was from Ryan, who’ll be publishing a novel trilogy about a tribe of men and their relationship with the gods around them in mythic Africa. It’s a very impressive work, and I’m immensely proud of him for it.

I attended another reading from FurPlanet Press, a great publisher that’s looking forward to an impressive year. Watts Martin read from his novella, Indigo Rain, and another friend Kevin Frane read from his new novel Summerhill. Graveyard Greg read from his alt-universe novella Carpe Mortis as well. The stories I heard this weekend run the gamut from gay slice-of-life to epic fantasy to post-modern sci-fi weirdness to action thriller to traditional fable. And they’re all good!

A bunch of local folks put together a jazz band that held (I think) their first concert on Friday afternoon. I thought I would zip in for a little bit, but ended up staying for the whole thing. I was pleasantly surprised by how well they played together, how much energy and passion they had. It was easily one of the highlights of the convention — I really hope the Super Pack Jazz Ensemble puts in a return appearance next year.

Conventions like this one are really inspiring. I get to see a host of the friends I’ve made over the years, catch up on what they’ve been doing, and meet new friends who have a wealth of different experiences. Almost everyone you meet honors their creativity in some way or another — through drawing, writing, performing, crafting, DJing, coding, collaborating. There are leather-workers, button-makers, hypnotists, costume designers, and artists of every stripe. It’s hard to come away from the convention without being proud of this wonderful fandom and all the great people who make it up. And it makes you want to rise to the challenge of contributing to it in a meaningful, positive way.

So that’s where I am, and where I’ve been. While running around being inspired and meeting an entire crush of people, though, I’ve fallen behind on my own creative projects — quite seriously so. That’s all right. It’s a learning experience, and I think I’m in very good shape to press ahead with my writing.

Kotaku did a very nice piece on Further Confusion, by the way, if you’re interested in knowing more about it. A lot of the media coverage about furries is less than kind, but this one is fairly even-handed, if a bit bemused about our existence. Of course, if you have any questions, feel free to ask. I’ll be as open and honest as possible.

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Posted by on January 28, 2013 in Furries, Self-Reflection


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